Sunday 27 December 2009

stompin' at the savoy

having recently completed an essay on the harlem renaissance of 1920's america, much of my research revolved around the celebration of black culture and the roots of african american heritage through the medium of art, literature, music, and progressive thought. the creation of intellectual arts worked to uplift the african american people during a time of severely unstable race-relations, producing a new sense of pride and distinction. jazz music was undoubtedly the defining sound of the 1920's. duke ellington, for example, worked to portray an authentic representation of black life in his music, with many of his songs reflecting the urban harlem culture. at the bottom of this post you will find the track 'stompin' at the savoy', an effortlessly uplifting track which oozes charm and sophistication.


the image below is winold reiss's 'drawing in two colours'. much of the art created during the harlem renaissance encompassed the positive image of 'the new negro', a reinvention of the african american into an energetic yet respectful image. i recommend anyone interested in jazz music or american history to familiarise themselves with the works of claude mckay, langston hughes, zora neale hurston, and jean toomer, as these were all major influences in the roots of jazz as we know it today.


download...

duke ellington - stompin' at the savoy [mediafire]