Showing posts with label breaks. Show all posts
Showing posts with label breaks. Show all posts

Friday, 15 October 2010

death gate

"the gaslamp killer, AKA william bensussen, is a peculiar entity. on the one hand, he's an artist that refuses to be bound by convention or accepted practice. on the other, he's an obsessive perfectionist. while the L.A. beat scene within which he operates has been around for several years now, its musical parameters have not been completely set. there's no time signature to work within, no rules regarding melody and harmony, and definitely no constraints when it comes to rhythm.

'fun over 100' kicks the EP off and is testament to that. it's downtempo and, unlike the rest of the package, doesn't purport to have been built around dusty analogue sampling. "when i'm in awe" follows, calling up san diego-based vocalist gonjasufi to sing out-of-tune lyrics over a kick-less excursion into psychedelic rock, with bensussen blending digital bass with vintage strings, which results in an eerie three-minute loop.

it's with the arrival of 'carpool dummy' that bensussen's skills behind the boards really shine. the drums are programmed to perfection, but daring at the same time. unlike other members of the brainfeeder clique—lorn, daedelus and even flying lotus, for example — bensussen frequently departs from the conventions of melody. sometimes, it seems, he just wants you to bang your head. the rhythms crafted from sampled breaks on 'carpool dummy' are superb. they're looped, looped and looped again, and while some would call that lazy, in the hands of bensussen they're superb, as every few bars brings a slight shift in the snare arrangement.

'shatering inner journeys' and 'monsterfromtheundergound' close out the release. on the former, fellow L.A. resident computer jay provides guest synths over a shifting snare and hi-hat loop. the latter is the EP's shortest and most relentless, making use of a distorted midrange and up-tempo pace, closing out a solid and adventurous release."



carpool dummy (feat. mophono)

Saturday, 7 August 2010

spilling over every side

pretty lights, a colorado-based producer, has released the second EP of a 2010 trilogy - 'spilling over every side'. derek vincent smith stated in a description of the EP that he tried to incorportate different genres into his work, "transitioning between something pretty and organic to something heavy and electro". this record sounds pretty fresh, hitting us with a blend of hip-hop and soul samples, breakbeats, and an element of dubstep. you can get the EP for free here.


pretty lights - a million tomorrows

Friday, 20 November 2009

meet me at the pomegranate tree

will holland, often known as quantic, creates music that draws upon elements of soul, funk, jazz, and salsa, yet retains a very contemporary feel in terms of production. you would expect most music with this range of influence to be dominated by samples, but being a multi-instrumentalist, much will holland's sound is original composition. in this particular song, 'meet me at the pomegranate tree', i love the handclaps, clicks of fingers, and how the bass works extremely well with the drums.



listen here...



download...

quantic - meet me at the pomegranate tree [megaupload]